Stillness in New York








by Ashley Marinaccio












“From my window, I have learned the value of stillness. I have reconsidered my relationship to internalized capitalism and the "grind" culture that had me “busy” for the sake of being busy.

From my window, I have reconsidered my relationship to the world, particularly the natural world. I have watched restaurants and small businesses in my neighborhood close and many protest marches walk by.

I live on the 33rd floor of a high-rise building in midtown, Manhattan, and face in the direction of Times Square. From my window, which often feels like a hawks’ nest, I have looked down on Hell’s Kitchen and seen the neighborhood significantly change, “reminds me of the 70s,” recalls an elder in our building. From my window, I can see both the history and the future of our neighborhood meeting in one place.”

“The artistic artifacts I have produced here are not photoshopped and shot in my neighborhood of midtown, Manhattan. These artifacts represent the solitude, isolation, emptiness, and loneliness that many community members are grappling with during the pandemic. As a photographer, I enjoy playing with light and using the elements to create a heightened reality in my otherwise documentary images. This heightened reality represents where the United States is right now with a lack of leadership, an unclear vision of the future, and much of what we “know” crumbling and a new normal emerging. I am particularly interested in using documentary photography and film to archive this moment in US history. I have been making photos and short films since the beginning of the shutdown”.









Ashley Marinaccio is a director, writer, performer, and filmmaker who creates work that challenges the status quo. She is dedicated to documenting the socio-political issues that define our times. Ashley has traveled extensively throughout the world as an artist, researcher and teacher.Currently, Ashley is working on her Ph.D. in Theatre and Performance at the CUNY Graduate Center. Her research interests include exploring theatre practices in war zones, applications of theatre in social justice movements, politics and performance in times of crisis, community-based theatre, intersections between anthropology and theatre, and documentary theatre.